Uglies

Why 'Uglies' Is Making Waves on Netflix—For All the Wrong Reasons!

Dive into the chaotic world of Netflix's 'Uglies'—a dystopian disaster that's as puzzling as it is predictable!

Netflix's latest teen dystopian flick, *Uglies*, is making quite the buzz, but for all the wrong reasons. With its drab aesthetic and tired tropes, critics are calling it one of the most pointless adaptations of the year. Set in a future where beauty dictates status, we follow the aimless journey of Tally Youngblood, played by Joey King, and her best friend Peris, played by Chase Stokes. The film tries to explore themes of self-identity and societal standards, yet stumbles with half-baked ideas and a plot that feels like a haphazard mash-up of numerous other YA dystopian stories. As far as compelling narratives go, *Uglies* leaves much to be desired.

In a recent interview, Joey King delved into the concept of 'Yassification'—a term that's all the rage in today's social media scene—and how her character navigates this strange new world. As Tally grapples with the pressure to conform to beauty standards, viewers are left questioning not just the story but the overall message it conveys. The film attempts to highlight how a society obsessed with appearances can lead to emptiness, but instead, it delivers a cinematic experience that’s more snooze than substance.

Towards the end of the movie, audiences are left hanging, wondering what’s next for Tally. The cliffhanger sets up the possibility of an *Uglies* sequel, sparking discussions about the previously unreleased *Pretties*. Fans are already speculating whether Netflix will snag another chance to adapt Scott Westerfeld's novels. If the chatter is any indication, there's a strong possibility that Netflix could greenlight *Uglies 2* to sate the curiosity left by this film's moving (or not-so-moving) conclusion.

What’s even more intriguing is the insight from director McG, who draws parallels between his work with Joey King on *Uglies* and his previous collaboration with Drew Barrymore. He jokingly likened the experience to an awkward family reunion—bringing together promising talent in a tale that ultimately falls flat. While the film may have some eye-catching talent, such as Laverne Cox and Brianne Tju, the transition from page to screen seems murkier than the water in a Dublin canal on a rainy day.

Interestingly, while some may scoff at the film's mediocrity, it serves as a reminder of the evolving landscape of YA adaptations. The film's premise continues to resonate, highlighting society’s relentless fixation on beauty—an issue that’s as relevant as ever, even in a time when filter-free selfies reign supreme.

In a twist of fun, let's remember that much like the residents of *Uglies*, we can all too easily fall into the trap of chasing trends and appearances, but dreamers are what truly drive change. So grab your popcorn, kick back, and revel in the chaos that is *Uglies*, because sometimes you've just got to laugh at the absurdity!