Super Mario Bros Movie

2023 - 4 - 5

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Image courtesy of "BBC News"

The Super Mario Bros. Movie review: 'Lazy and for fans only' (BBC News)

Nintendo's iconic Italian plumber hero has already inspired one flop movie – and this sluggish new animation is no better. In fact, it might be worse, ...

As slick and corporate as The Super Mario Bros Movie is, it has a first-draft laziness that's rare in big-screen animation. The Super Mario Bros. But poor Luigi is captured by the monstrous Bowser (Jack Black), who has a name which suggests that he's a dog, and a physique which suggests that he's a dragon, but who is actually the leader of a race of turtles called Koopas. For instance, a flashback shows us that Princess Peach is a human who wandered into the Mushroom Kingdom from another planet – maybe even the same planet as Mario. The trouble starts when Mario is suddenly surrounded by floating bricks, giant gold coins, "Power Up" cubes, and burbling electronic sound effects, which only make sense in the context of a video game. Mario and Peach are supposed to be rushing to defend her realm from Bowser's invading army, but these pointless sequences remind us that no one is in any hurry to get anywhere. What's worse is that the film doesn't just have quick references to these games, it has long sequences lifted from them. As long as you don't worry about it, and embrace the psychedelic randomness, you can accept it as silly, what's-not-to-like science-fiction. Mario (Chris Pratt, who, as well as starring in Guardians of The Galaxy and Jurassic World, voiced the hero in The Lego Movie) and his nervous younger brother Luigi (Charlie Day) are established as good-hearted, bushy-moustached young guys who are trying to build their own independent plumbing business. Unfortunately, The Super Mario Bros Movie is not one of those films. By a remarkable coincidence, the brothers arrive on this surreal planet (or, possibly, in this surreal universe) just after Bowser has just got hold of a glowing star which will enable him to conquer Mushroom Kingdom. True, 1993's Super Mario Bros, with Bob Hoskins and John Leguizamo, was a notorious flop, but The Lego Movie was tied to a line of plastic construction sets, and that was wonderful.

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Image courtesy of "RTE.ie"

Super Mario Bros. The Movie plumbs the depths (RTE.ie)

The latest stab at turning the much-loved 8-bit game into a movie franchise ain't worth two bits.

Please review their details and accept them to load the content. We need your consent to load this comcast-player contentWe use comcast-player to manage extra content that can set cookies on your device and collect data about your activity. A dayglo sugar rush that will leave the most rabid gamer bewildered, Super Mario Bros.

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Image courtesy of "The Guardian"

The Super Mario Bros Movie review – wackily eccentric gamer guys ... (The Guardian)

The second film adaptation of the phenomenally successful video game is a disappointment to rival the first.

They find themselves transported into an undreamt-of Oz-type otherworld through the New York sewers; in the Mushroom Kingdom Mario must gallantly rescue Princess Peach (Anya Taylor-Joy) from the evil fire-breathing turtle Bowser (Jack Black), who has captured Luigi and intends to make Peach his bride. [Dungeons & Dragons: Honour Among Thieves](https://www.theguardian.com/film/2023/mar/28/dungeons-dragons-honor-among-thieves-review-passable-playful-adventure) and [The Last of Us](https://www.theguardian.com/tv-and-radio/2023/jan/16/the-last-of-us-review-one-of-the-finest-tv-shows-you-will-see-this-year). This movie revives the ancient and surreal quest undertaken by Mario (voiced by Chris Pratt) and his brother Luigi (Charlie Day), Brooklyn plumbers who only do the silly and borderline-offensive cod Italian voice for their cheesy TV ad.

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Image courtesy of "ABC News"

Review: 'The Super Mario Bros. Movie' is okey-dokey (ABC News)

April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain. But it is also, ...

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Image courtesy of "Bloomberg"

Super Mario Movie Leaves Its Toughest Audience Waiting (Bloomberg)

Super Mario and his brother Luigi are “the most iconic and beloved characters in the gaming universe,” in the words of Chris Meledandri, founder and head of the ...

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Image courtesy of "Independent.ie"

Super Mario Bros Movie review: a nostalgic throwback to the 80s ... (Independent.ie)

There, they'll meet Toad (Keegan-Michael Key), Princess Peach (Anya Taylor-Joy) and contend with the imposing King of the Koopas, Bowser, played by Jack Black, ...

But it all adds to a great self-awareness, with characters mentioning Peach’s ‘immovable’ crown or discussing the absurdity of pipe travel. But the performance brings a volatile likeability to the brutish turtle (and in a case of Black doing what Black does best, there’s even a wonderful music number). Eager to prove themselves to their family and each other, they see an opportunity for success in the wake of a downtown Manhattan flood.

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Image courtesy of "WISN Milwaukee"

Flick Picks with MKE Film: 'Super Mario Bros. Movie' and more (WISN Milwaukee)

Kristopher Pollard from MKE Film and Cinebuds joins 12 News This Morning with what to watch this weekend.

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Image courtesy of "Roger Ebert"

The Super Mario Bros. Movie movie review (2023) | Roger Ebert (Roger Ebert)

The Super Mario Bros. Movie willfully avoids anything creative or ambitious. Mario and Luigi deserve so much better.

That means we’ll get a sequel, and I expect another cycle of the debate of “critics vs. With the nostalgia craze merging with the power of Nintendo and Illumination, “The Super Mario Bros. I suspect we will get a ton of films from the NES universe, including “Donkey Kong Country” and “The Legend of Zelda” (and let’s not forget “Kid Icarus”). I enjoyed the choices made by the team in the structure of Donkey Kong Country, and the Rainbow Road “Super Mario Kart” sequence is well-directed. It is “The [Chris Farley](/cast-and-crew/chris-farley) Show” of family entertainment, mistaking making references to something that was “awesome” for actually making a movie. Or a version that unpacks like “The LEGO Movie” that's more sharply aware of its references and world-building—something that even incorporates the player like that movie does in the end. Fans of this movie will shout from the rooftops that the scripting for something called “The Super Mario Bros. Although Luigi lands in the pipeline that drops him immediately in the dark lands and makes him Bowser's prisoner—a dumb decision that sidelines him for an hour—Mario meets Princess Peach, who introduces him to power-ups. And so all the question-mark cubes get a chance to shine as Mario grows, shrinks, and even turns into a raccoon. Some Nintendo easter eggs in the background of these initial scenes should produce a small smile from people of my generation, and there's a bit of inspiration structurally, like a clever early shot in which Mario and Luigi race through the city in a side-scrolling manner that mimics the earlier games. [Bob Hoskins](/cast-and-crew/bob-hoskins) and [John Leguizamo](/cast-and-crew/john-leguizamo), but the new “The Super Mario Bros. Mario has come a long way since the notoriously awful 1993 version of his adventure starring

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Image courtesy of "The New York Times"

'The Super Mario Bros. Movie' Review: This Ain't No Game (The New York Times)

A famed video game character side-scrolls once again to the big screen in this bland, witless and flagrantly pandering animated comedy.

Every level of the original Super Mario Bros. This is Mario in the Marvel mold: every line a punchline, every gag an arcane meta reference for the nerds who can’t get enough of that sort of thing. Illumination and Universal’s “The Super Mario Bros. Even Mario (a grating, unctuous Chris Pratt), who doesn’t sound like the Mario of the games, still manages to invoke trademark catchphrases like “it’s a-me” and “let’s a-go.” But while the details are meticulous, the attitude is all wrong, trading the simple, unaffected charm that has served the character so well since his introduction in 1981 for a snarky and fatuous air that leans hard on winking humor and bland, hackneyed irony. Fireflowers, super stars and

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