"Reimagining and re-recording" 40 tracks sounded like an arduous task for U2 and their fans — thankfully, there are some gems to be found.
Altered lyrics to the ‘All That You Can’t Leave Behind’ single ‘Walk On’ reference war-torn Ukraine, with Bono defiantly singing: “And if the dancer on the street wears a veil of tears / It’s a dance no army can defeat.” Early single ‘11 O’Clock Tick Tock’, which was produced by the late Factory Records legend Martin Hannett, has been modified with jaunty acoustic licks and twinkling keys for an alternative take that is both moving and uplifting. Sure, some of the Irish four-piece’s biggest songs (‘Pride’, ‘Where The Streets Have No Name’, ‘The Fly’) have been stripped of their epic brilliance, but a number of U2’s early tracks and deep cuts have been thoughtfully reworked here through older and wiser eyes. Further uninspiring takes on ‘With Or Without You’ and ‘One’ followed, as did the increasingly unshakable belief that maybe these songs shouldn’t have been messed with in the first place. Backed by just a cellist, a harpist and musical director Jacknife Lee, the frontman breathed new life into his band’s stadium classics by breaking them down into stirring, heartfelt stories of his own. The youthful post-punk urgency of ‘Stories For Boys’, for instance, has been transformed into a poignant, plinking piano ballad which gives off an air that life has become complicated with age.
U2 are better than their many critics make out. Their Stakhanovite work ethic in creating huge sonics, not-a-bolt-out-of-place songwriting and stagecraft ...
[Album: U2 - Songs of Surrender](/new-music/album-u2-songs-surrender)Bono creeps up on you and emotes right in your ear. But do we need “intimate” re-recordings (sorry, “reimaginings”) of forty songs from their back catalogue in a Brian Eno ambient style where the instrumentation is stripped away to almost nothing Bono’s voice is close miced and it feels like he’s cod-emoting about five millimeters away from your ear? Their Stakhanovite work ethic in creating huge sonics, not-a-bolt-out-of-place songwriting and stagecraft that could reach every corner of the biggest venues long before the days of giant LED screens made them the biggest band in the world with good reason.
The veteran rockers have reworked 40 of their classic hits for the record - which is a companion piece to frontman Bono's memoir 'Surrender' - and guitarist The ...
Imagine walking into your living room and all your stuff is there, but it's different. The sofa has moved, the bookcase is leaning on a different wall and .
In a new Pride (In the Name of Love), Bono's voice has been harnessed and tamed, losing the original's stridency and anger. One effect of the album is to put Bono's lyrics under a spotlight, making his words and imagery more pronounced. Some don't work, as when the grimness of Red Hill Mining Town is undercut by horns, effectively remaking it into a defanged children's song. One of the band's earliest hits — “11 O'Clock Tick Tock” — is smoother, slower and cleaner than the original. The reworked With or Without You has an air of antiseptic menace. That's the point of this exercise led by Bono and The Edge.