Miley Cyrus Endless Summer Vacation

Miley Cyrus has revealed her new album Endless Summer Vacation, which she's described as her "lover letter to LA." Stream it here.

Last year, she put out a live album called [ATTENTION: MILEY LIVE](https://consequence.net/2022/03/miley-cyrus-live-album/). In a press release, she described it as her “love letter to LA” and “a reflection of the strength I’ve found in focusing on both my physical and mental well-being.” Its artwork was photographed by Brianna Capozzi and fully executed without visual effects. Stream the record in full via Spotify or Apple Music below. Endless Summer Vacation Artwork: [Plastic Hearts](https://consequence.net/2020/11/album-review-miley-cyrus-plastic-hearts/), was released in 2020. [Miley Cyrus](https://consequence.net/artist/miley-cyrus/) has shared her new album Endless Summer Vacation.

After taking a rock-oriented pivot with her last full-length, Miley Cyrus has returned with her eighth studio album 'Endless Summer Vacation.'

The special also boasts a performance from Rufus Wainwright, and various interviews conducted inside the former Los Angeles home of iconic singer Frank Sinatra. As a follow-up to her rock-oriented Plastic Hearts, Miley’s latest sees her return to a more widely accessible sound. [Miley Cyrus](http://www.complex.com/tag/miley-cyrus/) has returned with her eighth studio album Endless Summer Vacation.

Miley Cyrus released her new album Endless Summer Vacation on Friday (March 10) via RCA Records.

And in the nighttime, it feels that there’s a slinky seediness and kind of a grime, but a glamor at the same time…And L.A., there’s a certain energy to the night, that you can kind of feel trouble boil up to the surface, and it’s very inspiring to me.” she said in a clip posted to her official Instagram feed. “The AM to me is representing the morning time where there’s a buzz and an energy, and there’s a potential of new possibilities — it’s a new day. [Miley Cyrus](https://www.billboard.com/artist/miley-cyrus/) released her new album Endless Summer Vacation on Friday (March 10) via RCA Records.

Harmony Korine, Tobias Jesso Jr., BJ Burton, Brandi Carlile, Sia, Bibi Bourelly, James Blake, Greg Kurstin, and more contributed to Cyrus' follow-up to ...

Published by: MCEO Publishing (BMI)/Warner-Tamerlane Publishing Corp. by Songs Of Kobalt Music Publishing (BMI)/Songs Of Universal, Inc. o/b/o itself, Aidenjulius Music, and Pineapple Lasagne (ASCAP)/ James Blake Publishing Designee o/b/o itself and Sounds From Eardrummers LLC (ASCAP)/EMI April Music Inc. Published by: MCEO Publishing (BMI) / WC Music Corp. o/b/o itself and Sounds From Eardrummers (ASCAP) Published by MCEO Publishing (BMI) / Universal-PolyGram Int. Published by: MCEO Publishing (BMI) / EMI April Music Inc. Published by: MCEO Publishing (BMI) / Warner-Tamerlane Publishing Corp. She closed out 2022 as the host of her own New Year’s Eve special on NBC, which featured guest appearances from [Dolly Parton](https://pitchfork.com/news/miley-cyrus-and-dolly-parton-perform-new-years-medley-watch/) and [David Byrne](https://pitchfork.com/news/david-byrne-and-miley-cyrus-cover-david-bowie-new-years-celebration-watch/). In [an interview clip](https://twitter.com/MileyCyrus/status/1632810833339113473/) she posted to social media, Cyrus said the record is divided into halves that loosely represent daytime and nighttime. She also covered Metallica’s “Nothing Else Matters” for the collection [The Metallica Blacklist](https://twitter.com/jackantonoff/status/1633172277910024194).

Miley Cyrus, “Endless Summer Vacation.” There may be few tracks as instantly memorable as Miley Cyrus' latest hit “Flowers,” a…

It’s a beautiful and somber note to close out the record. Some of the vocal styling sticks around on “Wildcard,” which is otherwise more subdued and groove-heavy. The song mixes a raw bluesy stomp with some of the classic rock vocal energy of Plastic Hearts. It successfully sets up the upbeat synth-driven sounds of “River.” The latter has a pulsing beat and pop hooks, but restrains itself just enough to fit within the landscape of this album. So the title is a bit of irony. The slow grooves continue on “Rose Colored Lenses,” a beat-heavy piano-driven tune with an understated bluesy melody.

From pop-rock to R&B and country-disco, the chameleonic Miley Cyrus has done it all. With single Flowers a huge hit and LP Endless Summer Vacation out today ...

'this pushed me out of the hip-hop scene a little' was insensitive as it is a privilege to have the ability to dip in and out of ‘the scene," Cyrus Cyrus followed her triumphant Glastonbury performance by honing her rock chops on 2020's retro-leaning Plastic Hearts album, for which she duetted with two icons of the genre: Joan Jett and Billy Idol. During the same year, Cyrus returned to hip-hop-infused pop with She Is Coming, a well-received EP featuring collaborations with Wu-Tang Clan rapper Ghostface Killah, singer-rapper Swae Lee and drag icon RuPaul. She raised eyebrows in particular for her exuberant embrace of twerking, a dance form that originated on the black-led bounce scene in 1980s New Orleans, and for surrounding herself in music videos with women of colour. Hugh McIntyre, a music journalist with Forbes, believes "it is accurate to call Cyrus a shapeshifter or a chameleon" because "she has shown, time and time again, that she can deliver high-quality music that performs well in a variety of genres". "It was Miley's moment to step out of the Disney spotlight and try something edgier and more adult, and that is always going to be received with some caution," he says. “It’s mind-boggling to me that there was even a controversy around me having black dancers," Cyrus protested to [Billboard](https://www.billboard.com/music/features/miley-cyrus-cover-story-new-music-malibu-7783997/) when asked about the latter in 2017. However, it is important to acknowledge that Cyrus's Bangerz era also attracted a more valid strain of criticism – namely, that she had cherry-picked aspects of black culture to accentuate her new, edgier image. Cyrus and subtlety haven't always gone hand in hand – she quite literally rode a wrecking ball in the video for her 2013 chart-topper Wrecking Ball – but Flowers is notable for its vocal and musical restraint. McIntyre notes that though Cyrus has not "tackled everything" musically, "she has done rock and pop and electronic music, and even leaned into country and hip-hop from time to time". See You Again, a standout single from the Meet Miley Cyrus side, offered a glimpse of the pop-savvy but idiosyncratic artist she would blossom into. Since Cyrus launched her recording career 17 years ago, when she played a fictional pop star in the hit Disney series Hannah Montana, she has released everything from peppy pop-rock to risqué R&B, and reflective folk-pop to spangly country-disco.

The triumvirate of James Blake, Sia, and Mike Will Made-It convenes on “Violet Chemistry.” (Mike Will, who worked closely with Cyrus on Bangerz, is involved on ...

Stream Endless Summer Vacation below. Brandi Carlile duets with Miley on “Thousand Miles,” while Sia sings on the trap-infused retro-futuristic soul track “Muddy Feet,” my pick to become the album’s next hit. [Plastic Hearts](https://www.stereogum.com/2108594/miley-cyrus-plastic-hearts-review/columns/the-week-in-pop/).

Miley Cyrus returned in a massive way with "Flowers," and now the chameleonic singer has more emotions to share on her "Endless Summer Vacation" album.

[ crumble in the quiet](https://www.usatoday.com/story/entertainment/celebrities/2020/11/23/miley-cyrus-opens-up-sobriety-slip-up-two-weeks-sober/6396462002/). The most unique offering on the album carries a vague Caribbean lilt along with a luxurious chorus (“Am I stranded on an island, or I have I landed in paradise?”). vibes.](https://www.rollingstone.com/music/music-news/miley-cyrus-endless-summer-vacation-two-parts-am-pm-1234691644/) “River,” the seventh among 13 tracks on the album, feels like the changeover. 1 since “Wrecking Ball" a decade ago) with her [“who needs you, anyway, buddy?](https://www.usatoday.com/story/entertainment/celebrities/2020/12/04/miley-cyrus-opens-up-sobriety-relationship-liam-hemsworth/3823018001/)” anthem, Cyrus, 30, has dropped a full slate of emotionally seesawing songs. But Cyrus’ vocal, which starts off hushed, climbs to a pained peak and then plummets to soft hoarseness, pointedly capturing the melancholy and the strength. [the chameleonic singer](https://www.usatoday.com/story/entertainment/music/2021/03/05/miley-cyrus-talks-playing-hannah-montana-disney-identity-crisis/4597789001/) returned to the charts in a massive way (six weeks at No. It’s a sweaty dance floor banger filled with glossy synths that would have made “Ray of Light”-era Madonna proud. But only with the very specific “you.” Cyrus is undeniably besotted – and unapologetic – while she unspools various scenarios (crashing a wedding, provoking a fight merely to make up “on the floor of your room”). This seductive swayer is the ultimate Cyrus offering. Sure, she knows whatever this is probably won’t last (“let’s just keep pretending”), but her yearning is real. As Cyrus sings, “I told myself to close that door, but I’m right back here again,” her awareness is palpable. The only quibble is the electronic vocal effects on the fadeout, which distract more than court intrigue.

The strength of Cyrus is suiting her mighty voice to so many styles.

On Violet Chemistry she’s the last one in the club, with a lost phone and no more cigarettes: “When the floor is wet and the lights come on but you don’t wanna leave.” The daughter of Billy Ray and goddaughter of Dolly Parton stays in touch with her country roots on Thousand Miles, a classy duet with Brandi Carlile, and lets that lived-in voice do some more heavy lifting on the piano-led torch song You. Unusually, that means the slow ones come first, including the twinkling melody of Jaded, a break-up song where her rocky rasp lets rip on a grandiose chorus. In any case, no one can predict what the hyperactive social media platform will latch on to next. The rest of Endless Summer Vacation should still appeal, though, thanks to a restless roaming between musical genres that means it’s impossible to feel bored. [Miley Cyrus](https://www.standard.co.uk/culture/music/miley-cyrus-billy-ray-cyrus-grammy-los-angeles-montana-b1066192.html) album is guaranteed to be a huge hit.

There's a cool sense of control here. No longer a wrecking ball, Cyrus sounds like a woman doing emotional weightlifting.

After the introductory fanfare of “Flowers”, she slows things right down with “Jaded” (produced by Greg Kurstin) on which she gives us the skinny on Hemsworth. It’s a bluesy yowl set to a gravel-stomping beat on which Cyrus lets rip, ordering a man to “get the f*** out of my head/ bed”. You can hear it on “Island” where she balances the pleasure of being alone (“no one needs nothin’ from me and it’s kinda nice”) with her loneliness (‘“cause boy, I’ve been missing you”). Cyrus switches the gear back up to chart pace for “River” – a straightforward romancer about a paramour who’s restored her faith after the love drought – but things get punchier on “Muddy Feet” (ft Sia). “You can say I am a twerking, pot-smoking, foulmouthed hillbilly,” she recently said in an interview, “but I am not a liar.” On this record, you believe her every word as she draws listeners deep into the tales of a woman relearning the single life. You can imagine her therapist high fiving her for “sitting with” her feelings.

'Endless Summer Vacation' may appear subdued by her standards, but it remains remarkably intriguing. Read the NME review.

The infectious second single ‘River’, which Cyrus has described as “dancefloor banger” with “nasty” lyrics, feels like a relative of her [Stevie Nicks](https://www.nme.com/artists/stevie-nicks)-inspired hit ‘Midnight Sky’. Cyrus has called ‘Endless Summer Vacation’ her “love letter” to LA, the city she moved to as a teenager when she landed her career-launching role in the Disney Channel series Hannah Montana. Cyrus is a straight-talker who is normally game for a laugh on the promo circuit, but since co-hosting a televised New Year’s Eve special with her godmother [Dolly Parton](https://www.nme.com/artists/dolly-parton), she has kept a curiously low profile and even stayed quiet on social media. If ‘Flowers’ finds Cyrus rebuilding herself after a break-up – “We were right ’til we weren’t / Built a home and watched it burn” – then the album feels like a messier, more complex extension of this process. [Harry Styles](https://www.nme.com/artists/harry-styles)‘ producers Kid Harpoon and Tyler Johnson, climaxes in a psychedelic swirl that sounds like something from ‘Miley Cyrus & Her Dead Petz’, the experimental 2015 album she made with The [Flaming Lips](https://www.nme.com/artists/the-flaming-lips). [Miley Cyrus](https://www.nme.com/artists/miley-cyrus)‘ eighth studio album arrives on a cloud of mystery, which is unusual for an artist who isn’t exactly the shy and retiring type.

After years trying to reconcile chart success with her leftfield musical instincts, the singer has delivered a hazily atmospheric album that plays to her ...

The other is to be a more traditional or even leftfield artist, making records that highlight the Stevie Nicks-ish qualities of her voice: the Miley Cyrus who roared her way through a lockdown cover of Pink Floyd’s Wish You Were Here, who followed up Bangerz with the Flaming Lips collaboration [Miley Cyrus and Her Dead Petz](https://www.theguardian.com/music/2015/aug/31/miley-cyrus-her-dead-petz-first-listen-review), then followed that up with 2017’s country-rock flavoured [Younger Now](https://www.theguardian.com/music/2017/sep/28/miley-cyrus-younger-now-review-rca). You can virtually hear the click-clacking of gossip-blog posts being typed in the background of Jaded – in which Cyrus lets an ex have it with both barrels – and Rose Colored Lenses’s languid depiction of post-coital bliss. The first is to be a 21st-century pop star, making the kind of committee-written electronic hits that 21st-century pop stars tend to make, as was the case with her 2013 album It also deploys the fashionable device of scattering in a trail of clues about its real-life subject. You might have thought the whole business of leaking albums belonged to a past era, before streaming supplanted downloads, and that people are now largely happy to adhere to the schedule knowing they’ll be able to stream the album for free when it arrives. It’s hit No 1 everywhere from Poland to Paraguay, seven weeks and counting at the top of the British charts, its lyrics and video painstakingly scanned by a media and fanbase eager to discover references to Cyrus’s ex-husband Liam Hemsworth, three years after their divorce.

Miley Cyrus' new album, "Endless Summer Vacation," showcases her versatility, but it's a step back from her 2020 record, "Plastic Hearts.

The tearjerker’s third-person narrative is intriguing. But even she knows solitude isn’t always the solution. [catches a partner cheating](https://pagesix.com/2023/03/10/miley-cyrus-muddy-feet-sparks-liam-hemsworth-cheating-theories/) as she snarls, “Get the f–k out of my house with that s–t / Get the f–k out of my life with that s–t.” [mourns the “kind of dream that can’t be sold”](https://pagesix.com/2023/01/13/miley-cyrus-details-liam-hemsworth-marriage-in-new-song-flowers/) before she learns the importance of self-love. [“Jolene”](https://www.youtube.com/watch?v=wOwblaKmyVw) and [“Heart of Glass,”](https://www.youtube.com/watch?v=NbdRLyixJpc) the last person you ever want to face off against in a karaoke contest. [“Endless Summer Vacation”](https://mileycyrus.lnk.to/EndlessSummerVacation) (out Friday), Cyrus packs it all into one, showcasing the versatility that has kept her on the music charts for nearly two decades.

The pop star's eighth LP isn't a straightforward divorce album; instead, it focuses on budding romances and self-love. By Brittany Spanos ...

Tracks like “Thousand Miles,” “Island” and “Wonder Woman” zero in specifically on the complexities in being your own support system: the sadness that often propels you to that discovery as well as the freedom and relief that follow. [Plastic Hearts](https://www.rollingstone.com/music/music-album-reviews/miley-cyrus-plastic-hearts-album-review-1096369/) (and the one-off kiss-off “Slide Away”) were Cyrus’ more direct statements on the end of her marriage to longtime love [Liam Hemsworth](https://www.rollingstone.com/tv-movies/tv-movie-news/off-the-cuff-liam-hemsworth-on-hunger-games-and-xbox-addiction-238690/). The tracks are buzzing with the hope of new love and the end of sexual and romantic droughts, as the second single “River” shows. In the credits, her more surprising collaborators like director Harmony Korine (“Handstand”), James Blake (“Violet Chemistry”) and Greg Kurstin (“Jaded”) never detract from Cyrus’ clear vision. Teased by the enlightened divorce bop [“Flowers,”](https://www.rollingstone.com/music/music-news/miley-cyrus-releases-flowers-video-1234660056/) Cyrus zeroes in on the independence angle as she reflects on past relationships and finally accepts the heartbreak while welcoming in new love for herself and others. The final result is a powerful artistic statement, focused and clear-eyed as Cyrus seems to have found herself in her thirties.

Miley Cyrus' 'Endless Summer Vacation' wins in ditching her previous album's rock for straight pop ballads, quirkier synth-pop and dance numbers.

The album cover sets the tone nicely: Cyrus is not coming in like a wrecking ball, but as — sure — something of a trapeze artist, one who right about now might be too high to fail. That’s followed by the one contribution Greg Kurstin has as a writer-producer, “Jaded,” which is pure mellow-gold in its generous and breezy approach to the end of a love affair. (For all its radio-friendliness, “Jaded” also includes the first of enough F-bombs on the album that there’s surely going to be a lot of judicious bleeping in the record’s accompanying Disney+ special.) “You’re questioning the science, ’cause you don’t understand / How I’m doing what I’m doing in a fucking handstand,” Cyrus sings, sounding a little like the recently ultra-empowered Taylor Swift, but on an even higher dosage of cockiness steroids (or acid). There’s so much to like here, though, starting, of course, with “Flowers.” It’s derivative, in an “I Will Survive” meets “Lose You to Love Me” meets “Don’t Start Now” kind of way, but that’s no knock. Cyrus also plays it soft on “Wonder Woman,” an almost entirely piano-focused ballad you might presume is inspired by her mother, or some other stolid and occasionally sad role model — it sounds kind of like a feminist “Desperado.” “Island,” buried late in the track list, is an odd number that never quite works, even with an interesting key change between the tense verses and the tropical choruses, courtesy of collaborator BJ Burton. (Well, maybe not literally the last, because the album closes with a quiet demo version of “Flowers,” but an extended bout of revenge writing is not really where her head is at.) The succeeding songs don’t get too stuck in the single’s post-Dua Lipa brand of disco thump, but neither is there even a hint of revisiting the previous album’s Blondie-isms for a second. Yes, “Muddy Feet” is one of the tracks where the growl returns — it earns it, on an album that otherwise isn’t firing too many shots across any bows. The throughly massive hit single that preceded it into the culture a couple of months ago, “Flowers,” seemed to promise a belated divorce album in the confessional style that’s come back into fashion. The singer just knows her inner Joan Jett doesn’t need to rev up its engines when she’s mellowing out with a minimalist, rhythm-section-based ballad like “Rose Colored Glasses” or getting a little more wacked out with a spooky avant-pop discursion like “Handstand.” Successive records found her swinging back and forth — or sideways — from the pop-diva dominance she established with “Bangerz” to the one-woman back-to-roots movement of “Young Again,” on up to the rockin’ new-wave revivalism of 2021’s “Plastic Hearts.” (Somewhere in there came her Flaming Lips collab…

Or a few people, as she does in the video for new single “River.” The simple black-and-white visual starts with Cyrus singing the synth-rock anthem on a lit ...

Of course, “River” kicks off the “P.M.” side of things. Brandi Carlile and Sia are featured on the 12-song set, which is divided into bright “A.M.” and rowdy “P.M.” sides. Cyrus worked on “River” with Kid Harpoon and Tyler Johnson, the Harry Styles and Maggie Rogers producers who also did her long-running No. “You could be the one, have the honor of my babies.” And yes, by the end of the clip, everyone ends up soaking wet. And judging by the song, Cyrus is already obsessed: “Blowing bubbles in the bath, I can’t stop from thinking lately,” she says in the second verse. Or a few people, as she does in the video for new single “River.” The simple black-and-white visual starts with Cyrus singing the synth-rock anthem on a lit runway, but soon cuts to scenes of sexy, shirtless, six-packed dancers.

After spending the decade following her Disney Channel rise by trying on different styles of popular music, from hip-hop to country-pop to guitar-rock, Cyrus ...

The extended bridge, where the production simplifies to focus on the beats and bass as Cyrus turns sex into a Monet simile, makes “Violet Chemistry” both the longest song on Endless Summer Vacation and one of the best. There’s a reason why “River” is being positioned as Cyrus’ potential follow-up smash to “Flowers”: the single handles its synth-pop flourishes and sexual innuendoes with funk and personality, its melodies blasting out like laser beams and Cyrus opting for sashaying monotone on the verses to offset the “ooh-ooh-OOH!” maximalism of the chorus. “Rose Colored Lenses” contains the title Endless Summer Vacation in the second verse, and it makes sense: Cyrus is capturing a warm moment in time here, and pleading for it to stay eternal. “Wildcard” functions as a late-album vocal showcase, the snares complementing Cyrus’ statements of self before ceding the floor to showy synths on the high-powered hook. Knowingly messy but captivating in its weirdness, “Handstand” could be misplaced in the heart of Endless Summer Vacation or exactly at home as the meltdown of the album’s Side A, depending on your vision of the track list; either way, points to Cyrus for never giving up her freak flag. With its short running time and repeated phrases, “Muddy Feet” comes across as slightly incomplete compared to the rest of the Endless Summer Vacation tracks — but boy, is this one going to rip when Cyrus performs it live.

Miley Cyrus' new album, 'Endless Summer Vacation' focuses on self-discovery and independence with 'Jaded,' 'River,' 'Rose Colored Lenses,' and more.

Though “Handstand” is interesting to listen to, it’s less of a song and more of an interlude. Keeping with the theme of womanhood, “Thousand Miles” is about Cyrus’s relationship with her sister. “In the evening it’s a great time for rest, it’s a time to recover—or it’s a time to go out and experience kind of a wild side. Cyrus pleas for a problem-free romance in “Rose Colored Lenses.” The song shows a much more relaxed version of Cyrus. It’s a fun song about lust—and I can already hear it thumping through the speakers of a New York Citty bar. It's not as punchy as the rest of the album, but "Island" is the type of song you can put on and drift away to. If you're a fan of Plastic Hearts, you’ll love “You.” This track is the closest we’ll get to another rock record, but I’m not complaining! It’s a quick song, but it packs a fiery punch—earning it the next spot on my list. [a mini-performance documentary on Disney+](https://www.disneyplus.com/movies/miley-cyrus-endless-summer-vacation-backyard-sessions/MbkiReincbRE), where you can watch the singer perform seven tracks from the album at the house where the “Flowers” music video was shot. “There’s like a buzz, an energy, and there’s a potential of new possibilities. “In the nighttime, it feels that there’s a slinky, seediness, and kind of a grime, but a glamor at the same time,” she said. [Flowers](https://www.esquire.com/entertainment/music/a42489563/miley-cyrus-flowers-lyrics-review/),” a club-ready break-up track where Cyrus sings about, of course, loving herself better than anyone can.

oday marked the release of Miley Cyrus' much anticipated new album, Endless Summer Vacation. It is likely to be a huge commercial success and our critic was ...

Cyrus has been dating Maxx Morando, 24, who is also a musician, since the end of 2021. Cyrus references the awkward meeting of a past lover’s parents in the new album’s track Wildcard. The second track, Jaded, is about regret and missed opportunities in a past relationship – reflecting on the burden of what was left unsaid. Her track has already become the most commercially successful of Cyrus’ near two-decade career, topping the charts in over 35 countries. Wearing rose-coloured glasses, pretend we’ll never end.” Especially her