Tom Hanks is an actor that needs no introduction. He made his film debut in the 80's and has since cemented himself as a cultural icon.
The film explores Otto's budding relationship with his neighbors – a friendship that becomes a life changing experience. His newest film, A Man Called Otto, is a perfect addition to Hanks' outstanding career as a writer and actor. In comedy, he had to be the funniest guy in the room. The transition from certified funny guy to serious actor was a daunting task to consider. Hanks' parents divorced when he was just four years old, and he, along with his two older siblings, moved in with their father. He's always been affable, outgoing, and he attributes this skill to his somewhat transient childhood.
For Tom Hanks, his 2002 film Road to Perdition is one of his best and he doesn't think the 2002 crime drama gets talked about enough.
“When you watch those movies and it’s crackerjack and it’s incredibly moving, all I can think of is, ‘I’m so glad this movie lasts forever, so I got a chance to revisit it now.’ That might be the case with Road to Perdition.” “It was shot by Conrad Hall, and you have me in it, ‘Don Moustache’ with a hat on it, but you also have two guys who turned out to be two of the biggest motion picture presences in the history of the industry with Jude Law and [Daniel] Craig." For Hanks, Road to Perdition is one of his best and he doesn't think the 2002 crime drama gets talked about enough.
The Sam Mendes-directed Road to Perdition was adapted from Max Allan Collins' graphic novel by screenwriter David Self. It follows Hanks as mob enforcer Michael ...
“When you watch those movies and it’s crackerjack and it’s incredibly moving, all I can think of is, ‘I’m so glad this movie lasts forever, so I got a chance to revisit it now.’ That might be the case with Road to Perdition.” ”For one reason or another, no one references Road to Perdition, and that was an incredibly important movie for me to go through,” he said on the ReelBlend podcast. “It was shot by Conrad Hall, and you have me in it, ‘Don Moustache’ with a hat on it, but you also have two guys who turned out to be two of the biggest motion picture presences in the history of the industry with Jude Law and [Daniel] Craig,” he continued, adding: “And I killed both of them…”
The "Elvis" and "Pinocchio" actor starred in "Road to Perdition" from director Sam Mendes. Jude Law and Daniel Craig also appeared in the crime drama.
And I killed both of them…" Hanks plays vicious mob enforcer Michael Sullivan, who goes on the run with his young son after the rest of his family is killed by another gangster. ](https://www.insider.com/best-stephen-king-adaptations-movie-tv-show-2017-10) [Road to Perdition](https://affiliate.insider.com/?postID=63c67b3ba5f1ba23de44ecb3&site=in&u=https%3A%2F%2Fwww.paramountplus.com%2Fmovies%2Fvideo%2FxW5uCKpfaDt91QJAHDPHHc1QJVu6CGNG%2F&amazonTrackingID=null&platform=browser&sc=false&disabled=false)" will become an enduring classic, much like "obscure and unknown" movies from the 1940s and 1950s, which he personally enjoys watching because he has "no preconceived notions" about them. [Tom Hanks](https://www.insider.com/tom-hanks-heart-warming-best-moments-2022) is one of the most beloved American actors to grace the screen since the 1980s, and has a number of fan-favorite roles under his belt like "Forrest Gump," [Woody in "Toy Story,"](https://www.insider.com/toy-story-movies-ranked-worst-best-2022-6) and Paul Edgecomb in ["The Green Mile." - The "Elvis" and "Pinocchio" actor starred in "Road to Perdition" from director Sam Mendes.
In a recent interview, legendary Hollywood actor, Tom Hanks, reveals the one movie of his long storied career that no one asks him about.
And you have me in it, Don Moustache with a hat on it, but you also have two guys who turned out to be two of the biggest motion picture presences in the history of the industry with Jude Law and Danny Craig. [Skyfall director Sam Mendes](https://screenrant.com/skyfall-daniel-craig-director-drunk-sam-mendes-pitch/) helmed Road to Perdition and helped Newman garner his final Academy Award nomination as Best Supporting Actor for his role. For one reason or another, no one references Road to Perdition, and that was an incredibly important movie for me to go through. Released in the summer of 2002, Road to Perdition was met with immediate praise by both critics and audiences alike, praising the acclaimed cast's performances, the taut script by David Self, and the film's stunning visuals. Hanks went on to star in a number of prominent comedies of the decade before transitioning to powerful dramas in the 90s including Philadelphia, Apollo 13, Saving Private Ryan, and The Green Mile. Hanks began his career in the early 80s with small roles in film and television before scoring a lead role in the gender-bending sitcom, Bosom Buddies.
However, there's one particular movie that the Oscar winner doesn't feel gets enough recognition. Speaking on the ReelBlend podcast, the 66-year-old actor ...
“When you watch those movies and it’s crackerjack and it’s incredibly moving, all I can think of is, ‘I’m so glad this movie lasts forever, so I got a chance to revisit it now.’ That might be the case with Road to Perdition.” “It was shot by Conrad Hall, and you have me in it, ‘Don Moustache’ with a hat on it, but you also have two guys who turned out to be two of the biggest motion picture presences in the history of the industry with Jude Law and [Daniel] Craig,” he continued, before adding: “And I killed both of them…” “As a guy who watches Turner Classic Movies a lot, the more obscure and unknown a movie from 1940s or 1950s the better, because I have no preconceived notions about it; I don’t know anything about it.
The 1930s-era Depression was not the only thematic setting that made the cinematography of Road to Perdition stand out in stark contrast to its 2002 ...
In the words of Roger Ebert, “Road to Perdition is like a Greek tragedy, dealing out remorseless fates for all the characters.” Road to Perdition was one of them. The 1930s-era Depression was not the only thematic setting that made the cinematography of Road to Perdition stand out in stark contrast to its 2002 contemporaries.
Tom Hanks reveals how kicking Fonzie on 'Happy Days' led to being cast in 'Splash': "I'm legendarily the first guy to actually strike Fonzie."
[Ron Howard](http://ew.com/person/ron-howard/)'s 1984 hit ... And eventually they said, 'Hey, this guy who kicked Fonzie through a plate-glass window might be good.' And so I ended up auditioning for that." Dwayne Twitchell (Hanks) exacts his revenge on Arthur Fonzarelli. "I got dressed up in a judo karate outfit. [Daryl Hannah](http://ew.com/person/daryl-hannah/)'s mermaid-in-human-disguise. [Splash](http://ew.com/creative-work/splash/).
Disney is such an all-consuming, slickly mechanized corporate beast that it is easy to forget that, just a few decades ago, it was a family business that ...
At the time the lot was largely disused, and animators were still working out of the same cluster of low-slung buildings that Walt’s animators had used (some of them were still employed at the company at the time). A new division of the company, Touchstone, was instituted to try and push edgier, more modern fare and “Splash” was the first movie and the shingle’s trial balloon (they would go on to release hits like “Pretty Woman,” “Good Morning, Vietnam” and “Who Framed Roger Rabbit?”) Even after the installation of Michael Eisner and Frank Wells in 1984, the joke around town was that Disney was so cheap they’d hang around outside the Betty Ford Center waiting for a star that had just dried out and was in need of work. As it turns out, Lowell Ganz and Babaloo Mandel were the head writers on “Happy Days” when Hanks filmed his episode.