It's 1982 and though The Empire is in theory managed by Donald Ellis (Colin Firth), a seedy golf club type, it is actually run by Hilary Small (Olivia Colman), ...
But instead of covering up his casket at the funeral, Mamie decided to show her son’s disfigured face to the world and turned his murder into a national story. Accused of whistling at a white female cashier and telling her she looked like a movie star, he was beaten, mutilated, shot in the head and disposed of. She’s been diagnosed schizophrenic, has stopped taking her medication and is on the edge of a familiar downward spiral. And while it’s always good to see mental health explored honestly on the screen, Colman’s psychotic episode is fruity and overacted. At a gala screening of that movie (“the southeast coast premiere!”, the idiotic Ellis coos breathlessly), Hilary will upstage her manager with a manic, rambling interjection. The son of a west Indian single mother, Stephen is cheerful, bright and devastatingly handsome.
She tries to avoid her boss Donald (Colin Firth), with whom she's having a reluctant affair. Projectionist Norman (Toby Jones) is very much enveloped in his own ...
On the one hand, there’s a passionate love letter to the cinema and on the other hand there’s a human drama that just barely works. Much like a scene where Norman where explains to Stephen when to change film reels by looking out for the ‘cigarette burns’, there’s an awkward transition between the two films at work here. It’s perhaps unfortunate that Empire Of Light is coming out shortly before Steven Spielberg’s The Fabelmans, which more successfully blends cinema and human drama into a coherent whole. There’s no doubting the sincerity of Mendes’ efforts here to tackle the kind of themes that cinema is good at putting out into the open to start a discussion between people as they leave the cinema. However, it’s the way that he does it that comes across as clunky and disjointed to the point where it’s evident that there are two films at work here. As Stephen discovers though, Hilary is dealing with troubling issues of her own and is reluctant to talk about them.
The likes of Dreamland, Sands Café and Margate Old Town all feature in the Olivia Colman-starring movie.
Mendes uses the very same shelter as the setting for Stephen to sit and reflect on his relationship with Hilary. JMW Turner said its skies were among the most impressive in Europe and painted some of his most famous works there. [Dreamland](https://www.dreamland.co.uk/). It ranked number one in our list for its array of record shops, food stores and community-funded queer venues, but no doubt has quite a different vibe in this 1980s-set film. Those familiar with the iconic venue will also recognise the retro roller disco that Hilary and Stephen visit as Dreamland’s Roller Room. Perhaps most excitingly, it has another major star in [Margate](https://www.timeout.com/margate), whose panoramic waterfront and sea views take centre stage in many scenes.
Olivia Colman valiantly tries to rescue a movie that could have been so much more yet fails on almost every level.
Empire of Light is neither a convincing age-gap love story, nor does it authentically evoke the 1980s. Empire of Light is the first film to be fully scripted by Mendes, who calls it a “love letter to cinema”. Hilary’s world is turned upside down by the arrival of a young black usher named Stephen, played by Michael Ward.
Loveable, cuddly Tom Hanks plays against type — to begin with at least — as an old grump in urgent need of redemption and life lessons in this comedy drama. The ...
Ellis (Colin Firth — it’s obviously a big week for cinema’s nice guys playing nasty). With a new Puss in Boots film heading our way next month, Vue are gearing up by bringing his old mucker Shrek back to the big screen, with all four of the films showing over the next few weeks — you can catch his first outing on Sat 7th and Sun 8th (tickets standard price). The film shows at Clements Hall, South Bank on Fri 6th at 8pm (doors 7:30pm) — tickets are £4 (cash only), and SBCC advise that it’s best to book in advance by e-mailing There’s a very different cinematic epic on offer at Vue in the form of The Godfather, showing on Sat 7th, Tues 10th and Thurs 12th. It’s showing on Sun 8th and Tues 10th as part of their Throwback season, with a complimentary drink and hot dog or pizza included in the ticket price (though sadly no box of chocolates). “When you realise you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”
The Oscar-winning cinematographer discusses 'Empire of Light' and his photography book, 'Byways.'
A powerful performance from Olivia Colman and the gorgeous cinematography of Roger Deakins (Fargo, 1917) are the reasons to catch this Sam Mendes movie on ...
This is clearly one of those ‘love letters to the cinema’ movies but the melodramatic plot is a bit more EastEnders than Cinema Paradiso. But it’s achingly beautiful to look at. Empire of Light review: Achingly beautiful to look at but script lacks lofty pretensions
Empire of Light is Mendes' most personal film to date. He and its stars, including Colman, Micheal Ward and Toby Jones, talk medication, escapism and ...
“I’m 50 now, and I’ve lived my whole life in the body of a Black woman. “It’s not a particularly interesting emotion to try and generate in an audience.” “Home for me was a dark auditorium with actors and crew.” “And he was like that as a boy.” The other day, his 18-year-old son, Joe (with Kate Winslet) “launched into a speech about why I needed to be vegan and why if everyone didn’t start thinking about this, the planet was going to end, and what was the point of his having children, etc. Today’s upsets “feel similar, but on a bigger scale”. “You place any kid in any movie and I, as a parent, immediately go: ‘Oh no! “Kicking down the neat and regular!” In a sense I was parenting my own mother.” “Even as a child,” says Mendes, “I could see that my mother, when she was medicated or controlled, was being manipulated, mostly by men. “Yeah,” says Ward. “She’s breaking free of the shackles!” says Colman, all empathy and delight.
Olivia Colman is excellent as Hilary the duty manager, a character inspired by Mendes' own mother and her mental health problems, a part he wrote with the Oscar ...
You can read 5 more articles this month You can read 5 more article this month This is the last article you can read this month
The latest film from Skyfall and 1917 director Sam Mendes is an '80s set romance that unfolds in an old cinema.
"Hilary (Olivia Colman), a woman with a difficult past and an uneasy present, is part of a makeshift family at the old Empire Cinema on the seafront. [subscribe now](http://radiotimes.com/magazine-subscription?utm_term=evergreen-article). We'll update this page when we hear more concrete information. Empire of Light is released in UK cinemas on Monday 9th January 2023 and will later be added to Disney Plus. Empire of Light trailer Empire of Light plot When is Empire of Light coming to DVD and Blu-ray? Is Empire of Light on Netflix? How to watch Empire of Light in the UK How to watch Empire of Light – is it on Netflix? Empire of Light Disney Plus release date In the immediate future, there will only be one way to catch Empire of Light – by heading to the cinema.
As Sam Mendes' latest acclaimed movie hits the big screen this month, we look back at how one Kent town was transformed for the production.
However, it transpired they would not be able to withstand the elements and Thanet District Council It's not easy to introduce all sort of closures and transform all types of businesses and seafront areas, but hopefully on the flip side, we know the production spent £4.8 million into the local community while they were around. The projection room with scenes featuring Toby Jones - star of hit comedy Detectorists - was also constructed there. For us to be able to achieve that after various tests in various locations was quite amazing." The feeling you get is coming in from the seafront, which is cold and stormy in winter, into this delicious foyer with loads of sweets and popcorn, and then you watch a movie that takes you off into another world.” The sets themselves were built within the Dreamland site and the vast temporary building it had erected. There were some 150 production crew involved in the production while They were essential to help with the production. Scenes that had been set in a disused balcony were rewritten to take advantage of Dreamland’s ballroom, and a scene at the funfair’s roller rink was added. It was so convincing a permanent structure that those passing would have thought little of it unless they could see the temporary roof which kept the elements at bay. “The foyer is a centerpiece," adds Mark Tildesley, "it’s where all of the characters meet. The theatrical auditorium, which had been converted into a pea green bingo hall, became the Empire’s cinema; everything inside, from the seats to the material on the walls to the proscenium arch, was installed by Tildesley and his team.