The stunning

We have some stunning supersonic flyovers caught on video with some spectacular sonic booms. These were captured at airshows.

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The Spanish-language opera — composed by Gabriela Lena Frank, with a libretto by Nilo Cruz — is about married Mexican artists Frida Kahlo and Diego Rivera ...

Eight of Frida’s self-portraits come to life in imaginative costumes, and Frida’s blue Casa Azul and the orange-hued underworld melt away to reveal the ancient Aztec pyramid at the root of pre-Columbian culture. There’s the marigold- and votive candle-filled cemetery that rises up to expose the underworld, where the souls of conquistadors, Indigenous Indians and Mexican revolutionaries mingle. Unfortunately for non-Spanish speakers, some of the florid beauty and humor of the language is lost in the sometimes-clunky translations. And most intriguing is the music she wrote for the skeletal Catrina, the keeper of souls in the underworld — performed by soprano Maria Katzarava, whose elliptical arias, peppered with pulses of eerie “ha ha ha” laughter, sound like the rattle of bones. But ultimately, she agrees to “return to the land of the gaze,” not for Rivera but for the chance to see her artwork and paint once again. In the two-hour, 20-minute piece, Kahlo is summoned from the afterworld in 1957 by her dying husband, Mexican muralist Diego Rivera, who wants to see her once again on Dia de los Muertos, Mexico’s Day of the Dead, when souls can return to the living world for 24 hours each Nov.