House of the Dragon episode 4

2022 - 9 - 11

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Image courtesy of "Den of Geek"

House of the Dragon Episode 4 Review: King of the Narrow Sea (Den of Geek)

Rhaenyra (Milly Alcock) and Daemon (Matt Smith) on House of the Dragon Photo: Ollie Upton | HBO. This House of the Dragon review ...

ET on HBO and HBO Max in the U.S. But House of the Dragon has a schedule to stick to. Rhaenyra’s consecutive moments of sexual awakening serve as the climax of the episode as much as Daemon and Corlys’s war in the Stepstones did last week. At the same time though, continually jumping forward in time means that some moments have to be brought to the forefront more quickly rather than being allowed to simmer in the background for episodes at a time. There’s a lot to enjoy in “King of the Narrow Sea” even outside of the exchange of carnal knowledge, but let’s get to that first. And that refinement arrives in episode 4 “King of the Narrow Sea.” A crucial message is imparted on Rhaenyra in the only way it could have been. Truth be told, she still is something of a child, having spent most of her life locked away in the Red Keep, gossipping with Alicent and reading stories about mythical maidens and martyrs. Surprisingly, however, the proclaimed “King of the Narrow Sea” removes his crown, hands it to his brother, and acknowledges him as the one true king. The realm is secure, his wife is dutiful, and most importantly: his brother is back. The issue, however, is that Game of Thrones’ prurient moments were frequently sloppy and unsensual in execution at best and downright exploitative at worst. Not only does the act, you know, feel good, but procreation is kind of a big deal in a political landscape dominated by inherited dynasties.

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Image courtesy of "The New York Times"

'House of the Dragon' Season 1, Episode 4 Recap: The Full Targaryen (The New York Times)

Most of this week was dedicated to the royal family and its “queer customs.”

We talked last week about the conflict between love and duty as a persistent “Thrones” theme, but what happens when love is the duty required of you? [the premiere](https://www.nytimes.com/2022/08/21/arts/television/house-of-the-dragon-premiere-recap.html) (more on this in a minute), “House of the Dragon” is ultimately about the decline of a convoluted, deeply inbred clan whose power is enabled by their access to the world’s most fearsome weapons. It was a bitter reminder that even when Rhaenyra isn’t being forced to “squeeze out heirs,” as she put it awkwardly to the heir-squeezer-in-chief, Alicent, her womb still belongs to the realm. That was Jefferson Hall also playing Tyland Lannister, the more conscientious twin of the ridiculous Lord Jason. Rhys Ifans, who first won wide notice as a goofball roommate in “Notting Hill,” has been highly enjoyable as the Machiavellian Otto. (The next family nameday party should be fun.) Which meant that for all her ill-advised sneaking, drinking and fornicating, Rhaenyra survived another week as heir to the Iron Throne. True to the maximalist tendencies of “Thrones” storytelling, the strategy seems to be that if you’re going to make a soap, you might as well make it as operatic as possible. The inbreeding is key to the downfall as probably the primary cause of the Targaryen madness described by the coin-flipping maxim. But “he’s got a strange moral compass of his own,” the actor said. For all the squeamishness the age differentials and so on inspire, we’re all checking modern moral standards at the door, to a certain extent, if we want to go along with this story. That was Alicent on Sunday night, winning the Understatement of the Week award. (“The hour is quite late …” Alicent protested, but the king gets what the king wants.)

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Image courtesy of "Vox"

House of the Dragon, episode 4 recap: Sex is always political (Vox)

Rhaenyra (Milly Alcock) has just returned from a woefully unsuccessful “tour” arranged by her father in which she listens to and rejects an increasingly absurd ...

Whether she realizes it or not, she’ll soon have an even bigger target on her back as heir — and the offense she’s just learned to play, using sex as a pathway to real power, is about to get much more serious. Viserys orders her to marry Laenor Velaryon, who we learned last episode is both an ideal political match, as the son of the Sea Snake Corlys, and a really hot dragon-rider. The former sex worker, now Daemon’s on-again, off-again lover, has gained the nickname of “the white worm” because of her tendency to dress in white and burrow her way into possession of secrets. When she snarks that he’s using her as a prize to assuage his political headaches, he snaps, “You are my political headache!” The revelation that Viserys isn’t as easily manipulated as he’s appeared to be loses its heft, however, given that in this case, Otto is telling the truth: The princess has been dallying with her uncle and has risked tarnishing her reputation. The king, when he’s not using her for sex and childbearing, openly undermines Alicent — a casual slight that becomes much greater when you’re essentially a sexual prisoner who has to behave as though you aren’t. Rhaenyra, self-interested above all else, has a difficult time seeing outside of herself to recognize the way other people are compromised by the political and sexual games they have to play. From the opening moments, where our poor shrimp of a lad has to ask Rhaenyra for her hand despite being far too young for marriage and having never laid eyes on her before, we see sex as a game of politics over desire. Ser Criston (Fabien Frankel) clearly sees her as the annoying brat he has to babysit, and he’s at first extremely reluctant to take what she’s offering. She’s far too young to fully understand how Daemon has manipulated her emotionally, to grasp that he’s spent years grooming her as a pawn for exactly this purpose. Rhaenyra, just as she has done from the start, dismisses their opinions, but Daemon has another lesson to teach her about the way the world works. Daemon has several purposes in introducing her to the dusty peasants of King’s Landing.

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Image courtesy of "Vanity Fair"

'House of the Dragon' Season 1 Episode 4 Recap: The Long Night (Vanity Fair)

Rhaenyra and Daemon enjoy a wild night and harsh morning in King's Landing in the latest episode of the 'Game of Thrones' prequel series.

It continues, as Daemon brings Rhaenyra to one final stop on his tour through King’s Landing: a pleasure house on the Street of Silk, “where people come to take what they want.” Surrounded by dozens of individuals in varying stages of undress (not to mention varying positions and permutations while undressed), Daemon and Rhaenyra take what they want: each other. Alas, even now, the heir of it all hangs heavy in the air, as Rhaenyra and Daemon wind up watching a street performance that crudely conveys the King’s perceived dilemma of who will succeed him on the Iron Throne, his public and private promises regarding Rhaenyra’s ascension notwithstanding. Together, passing drinks back and forth, they go out for a night on the town, free from “the burdens of [their] inheritance,” if only temporarily. For the first time since her father announced his betrothal to her best friend, Rhaenyra sees much of her own plight reflected in Alicent. As Rhaenyra bemoans the proposal process, Alicent points out that not everyone in Westeros has the luxury of choosing their own spouse. But the crown comes off in no time at all, as the prince who breaks promises bends the knee to his brother, King Viserys (Paddy Considine), in a very public display of affection, followed by a celebration held in Daemon’s honor.

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Image courtesy of "The Spool"

House of the Dragon Episode 4 Recap: "King of the Narrow Sea" (The Spool)

Daemon plays some nasty games, as Rhaenyra comes face to face with the double standards of royal patriarchy. NOW STREAMING: ...

Not only that, he turns around and (metaphorically) kills the messenger, recognizing that Otto’s reporting of this incident is, at least in part, fueled by his own desire to see his blood (his grandson Aegon) on the throne. And so it goes that Hoes of the Dragon Episode 4, “King of the Narrow Sea,” uses sex and perception to shake up the dynamics of its central cast. Both parties involved take decidedly different tacks to the accusations: Rhaenyra swears on her mother’s life that nothing happened (a lie, but not a total one, since we pick up on the fact that Daemon couldn’t get himself up to do the deed), while Daemon himself gloats to Viserys in the throne room that he did deflower his niece. This is where we see the full extent of Daemon’s plan: come back with gifts and contrition, then bed Rhaenyra and force Viserys to let him marry her, thus giving him access to the throne. He takes her to a pleasure house, where Alcock’s lips curl upwards at the sight of men and woman taking pleasure in each other’s bodies. For an heir apparent who’s been stuck in procedure and tradition for years, such a move feels like the one thing she’s managed to do for herself. The more the night goes on, the more Daemon’s outing with Rhaenyra feels deliberate — both a chance to free his niece from the confines of her position and a way to undermine his brother’s rule. But the illusion is shattered with a small actor’s troupe, who playact her family story and all but predict Aegon will take the throne as Rhaenyra, being a woman is too “feeble.” Aegon, meanwhile, has two things needed to rule: “A conquerer’s name, and a cock.” By the weirwood tree, the two bond: Daemon purrs at her that “this is a tragic world,” and one must not be afraid of it. They’re too old, or too young, or too impetuous — two of them break out in a fight, and the victor is a boy no older than twelve. [Emily Carey](https://thespool.net/tag/emily-carey)) has given birth to Viserys’ ( [Paddy Considine](https://thespool.net/tag/paddy-considine)) son, Aegon, sure to present a real threat to Rhaenyra’s ( [Milly Alcock](https://thespool.net/tag/milly-alcock)) claim to the throne — despite Viserys’ entreaties otherwise, provided she takes a smart, strategic partner to wed. Just in time, it seems, for Daemon to emerge from his victory, sporting a makeshift crown and a close-cropped haircut (thank god, this wig looks a bit better on him).

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Image courtesy of "Mashable"

'House of the Dragon' episode 4: Who is the White Worm? (Mashable)

A blonde girl and a blonde man in regal dress stand in a garden. Credit: HBO. > Entertainment ...

The boy gives Mysaria a handful of money, and just like that we know who our White Worm is. "I learned that the skin trade could only take me so far in this life." Later we get our answer courtesy of a hungover Daemon, who wakes up in a bed belonging to his former girlfriend, Mysaria (Sonoya Mizuno). "Apologies for the late hour, my lord," a soldier says to Hightower. We won't go over all the grisly details from that night, but the sequence of events is still important. Crucially, though, after Daemon abruptly disappears, we see a young boy watching as Rhaenyra leaves the brothel looking for him.

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Image courtesy of "TVLine"

House of the Dragon's Daemon Can't Do It, and We Have Post ... (TVLine)

'House of the Dragon' Episode 4: Sex! Deceit! We discuss what happens between Daemon and Rhaenyra in "King of the Narrow Sea."

According to co-showrunner Miguel Sapochnik, in a featurette that aired after the episode: “Ultimately, his impotence in the scene is a reflection of the fact that he knows, deep down, that what he’s doing isn’t right.” It was how unaware she was that the act was all about her uncle messing with his brother, the king, and the line of succession for the Iron Throne. * Was Rhaenyra taking notes during her trip to the pillow house? (Again, not something I expected having to state for the record.) But as someone who covered Game of Thrones throughout its run and who has read plenty of Martins’ work, I’ve made my peace with the fact that It was about how she clearly has an attraction to Daemon, and how he played the long game with that, for his own gain. [House of the Dragon](https://tvline.com/tag/house-of-the-dragon/) depicted the scene that readers of George R.R.

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