Rhaenyra (Milly Alcock) has just returned from a woefully unsuccessful “tour” arranged by her father in which she listens to and rejects an increasingly absurd ...
Whether she realizes it or not, she’ll soon have an even bigger target on her back as heir — and the offense she’s just learned to play, using sex as a pathway to real power, is about to get much more serious. Viserys orders her to marry Laenor Velaryon, who we learned last episode is both an ideal political match, as the son of the Sea Snake Corlys, and a really hot dragon-rider. The former sex worker, now Daemon’s on-again, off-again lover, has gained the nickname of “the white worm” because of her tendency to dress in white and burrow her way into possession of secrets. When she snarks that he’s using her as a prize to assuage his political headaches, he snaps, “You are my political headache!” The revelation that Viserys isn’t as easily manipulated as he’s appeared to be loses its heft, however, given that in this case, Otto is telling the truth: The princess has been dallying with her uncle and has risked tarnishing her reputation. The king, when he’s not using her for sex and childbearing, openly undermines Alicent — a casual slight that becomes much greater when you’re essentially a sexual prisoner who has to behave as though you aren’t. Rhaenyra, self-interested above all else, has a difficult time seeing outside of herself to recognize the way other people are compromised by the political and sexual games they have to play. From the opening moments, where our poor shrimp of a lad has to ask Rhaenyra for her hand despite being far too young for marriage and having never laid eyes on her before, we see sex as a game of politics over desire. Ser Criston (Fabien Frankel) clearly sees her as the annoying brat he has to babysit, and he’s at first extremely reluctant to take what she’s offering. She’s far too young to fully understand how Daemon has manipulated her emotionally, to grasp that he’s spent years grooming her as a pawn for exactly this purpose. Rhaenyra, just as she has done from the start, dismisses their opinions, but Daemon has another lesson to teach her about the way the world works. Daemon has several purposes in introducing her to the dusty peasants of King’s Landing.
Rhaenyra and Daemon enjoy a wild night and harsh morning in King's Landing in the latest episode of the 'Game of Thrones' prequel series.
It continues, as Daemon brings Rhaenyra to one final stop on his tour through King’s Landing: a pleasure house on the Street of Silk, “where people come to take what they want.” Surrounded by dozens of individuals in varying stages of undress (not to mention varying positions and permutations while undressed), Daemon and Rhaenyra take what they want: each other. Alas, even now, the heir of it all hangs heavy in the air, as Rhaenyra and Daemon wind up watching a street performance that crudely conveys the King’s perceived dilemma of who will succeed him on the Iron Throne, his public and private promises regarding Rhaenyra’s ascension notwithstanding. Together, passing drinks back and forth, they go out for a night on the town, free from “the burdens of [their] inheritance,” if only temporarily. For the first time since her father announced his betrothal to her best friend, Rhaenyra sees much of her own plight reflected in Alicent. As Rhaenyra bemoans the proposal process, Alicent points out that not everyone in Westeros has the luxury of choosing their own spouse. But the crown comes off in no time at all, as the prince who breaks promises bends the knee to his brother, King Viserys (Paddy Considine), in a very public display of affection, followed by a celebration held in Daemon’s honor.
Daemon plays some nasty games, as Rhaenyra comes face to face with the double standards of royal patriarchy. NOW STREAMING: ...
Not only that, he turns around and (metaphorically) kills the messenger, recognizing that Otto’s reporting of this incident is, at least in part, fueled by his own desire to see his blood (his grandson Aegon) on the throne. And so it goes that Hoes of the Dragon Episode 4, “King of the Narrow Sea,” uses sex and perception to shake up the dynamics of its central cast. Both parties involved take decidedly different tacks to the accusations: Rhaenyra swears on her mother’s life that nothing happened (a lie, but not a total one, since we pick up on the fact that Daemon couldn’t get himself up to do the deed), while Daemon himself gloats to Viserys in the throne room that he did deflower his niece. This is where we see the full extent of Daemon’s plan: come back with gifts and contrition, then bed Rhaenyra and force Viserys to let him marry her, thus giving him access to the throne. He takes her to a pleasure house, where Alcock’s lips curl upwards at the sight of men and woman taking pleasure in each other’s bodies. For an heir apparent who’s been stuck in procedure and tradition for years, such a move feels like the one thing she’s managed to do for herself. The more the night goes on, the more Daemon’s outing with Rhaenyra feels deliberate — both a chance to free his niece from the confines of her position and a way to undermine his brother’s rule. But the illusion is shattered with a small actor’s troupe, who playact her family story and all but predict Aegon will take the throne as Rhaenyra, being a woman is too “feeble.” Aegon, meanwhile, has two things needed to rule: “A conquerer’s name, and a cock.” By the weirwood tree, the two bond: Daemon purrs at her that “this is a tragic world,” and one must not be afraid of it. They’re too old, or too young, or too impetuous — two of them break out in a fight, and the victor is a boy no older than twelve. [Emily Carey](https://thespool.net/tag/emily-carey)) has given birth to Viserys’ ( [Paddy Considine](https://thespool.net/tag/paddy-considine)) son, Aegon, sure to present a real threat to Rhaenyra’s ( [Milly Alcock](https://thespool.net/tag/milly-alcock)) claim to the throne — despite Viserys’ entreaties otherwise, provided she takes a smart, strategic partner to wed. Just in time, it seems, for Daemon to emerge from his victory, sporting a makeshift crown and a close-cropped haircut (thank god, this wig looks a bit better on him).
A blonde girl and a blonde man in regal dress stand in a garden. Credit: HBO. > Entertainment ...
The boy gives Mysaria a handful of money, and just like that we know who our White Worm is. "I learned that the skin trade could only take me so far in this life." Later we get our answer courtesy of a hungover Daemon, who wakes up in a bed belonging to his former girlfriend, Mysaria (Sonoya Mizuno). "Apologies for the late hour, my lord," a soldier says to Hightower. We won't go over all the grisly details from that night, but the sequence of events is still important. Crucially, though, after Daemon abruptly disappears, we see a young boy watching as Rhaenyra leaves the brothel looking for him.
In an episode dominated by sex, Rhaenyra, Viserys and Daemon cause more problems for the future of the Targaryen dynasty.
The princess' ability to wield power, even when she's on the backfoot, suggests she will be a force to be reckoned with in Westeros. Although judging by Viserys and Alicent’s bedroom scene this week, it truly is a marriage based on convenience and friendship. By taking his brother’s daughter on a tour of the darkest corners of Flea Bottom and grabbing her for a gross kiss (and possibly more), before fleeing. Bowing for King Viserys after his victory at the Steptones, Daemon is hailed a hero and warmly welcomed home by his brother. She finds Ser Criston Cole, with little concern what the consequences might be for her friend, and seduces him. Rhaenyra agrees to on the condition that Viserys also does his bit for House Targaryen… Everything that Rhaenyra fears and dreads, Alicent has stomached and taken on. [last week’s episode at the Stepstones](/tv/drama/house-of-the-dragon-episode-3-review) was a reminder of the dragon-squashing, blood-splattering violence of George R.R. Did Viserys always know what Otto was plotting by setting up his daughter Alicent to comfort him? Martin’s universe, this week’s [House of the Dragon](/tv/drama/house-of-the-dragon-season-1-release-date-uk-plot-prequel) was riddled with the other passion that appears frequently in his books. Does he care about the Iron Throne or does he just enjoy seeing chaos reign? But episode 4 revealed how the power dynamics behind bedroom doors are just as important as any sword slashing on the battlefield.
'House of the Dragon' Episode 4: Sex! Deceit! We discuss what happens between Daemon and Rhaenyra in "King of the Narrow Sea."
According to co-showrunner Miguel Sapochnik, in a featurette that aired after the episode: “Ultimately, his impotence in the scene is a reflection of the fact that he knows, deep down, that what he’s doing isn’t right.” It was how unaware she was that the act was all about her uncle messing with his brother, the king, and the line of succession for the Iron Throne. * Was Rhaenyra taking notes during her trip to the pillow house? (Again, not something I expected having to state for the record.) But as someone who covered Game of Thrones throughout its run and who has read plenty of Martins’ work, I’ve made my peace with the fact that It was about how she clearly has an attraction to Daemon, and how he played the long game with that, for his own gain. [House of the Dragon](https://tvline.com/tag/house-of-the-dragon/) depicted the scene that readers of George R.R.