Samaritan

An animated, comic-book-inspired opening turns out to be the best part of "Samaritan," a very by-the-numbers superhero tale that casts Sylvester Stallone as ...

About all that's left is the modest kick of seeing Stallone in this sort of setting, a novelty that only goes so far. ["Overlord"](https://www.cnn.com/2018/11/09/entertainment/overlord-review) ["Creed" films](https://www.cnn.com/2018/11/20/entertainment/creed-ii-review)

Fresh off new sequels saying "Goodbye, but also not goodbye" to Rocky and Rambo, Sylvester Stallone stars in an aging-superhero movie that seems designed to ...

Is Sam genuinely conflicted between taking up a life of crime and doing the right thing, mirroring the way Granite City’s citizens are divided between Samaritan and Nemesis? On top of the narrative confusion, the tenuous, distant spatial relationship between Sam’s original post and the interior of the hideout makes it seem nearly impossible for anyone to hear him whistling a warning, even if he could. The few moments in Samaritan that do recall more recent superhero movies are still a bit offbeat: Cyrus (Pilou Asbæk), the younger maniac who wants to claim the mantle of Nemesis for himself, sports both a philosophy and a coat that recall the Dark Knight Rises version of Bane. The movie’s superpower is the ability to inspire a litany of distracting questions in almost any scene, no matter how simple. Granite City owes more to the industrial decay of comics movies like The Crow — though it’s equally indebted to local-news scaremongering that depicts any and all cities as cesspools of crime, on the brink of total anarchy. The premise has an appealing directness, laid out in an illustrated prologue: Granite City was once the home of two brothers with superhuman strength and endurance, dubbed Samaritan and (sigh) Nemesis.

Stallone cannot redeem 'Samaritan's many flaws, but he can still make it worth watching for those willing to look past a generic superhero story.

In the end, Samaritan’s most irredeemable crime is being bland in a market oversaturated by superhero media. Stallone has a knack for playing big brutes with a heart, the kind of character who knows they can easily win a fight, but still prefers to hold their punches and use their heads. And if the surprise is not mandatory to make a story pleasant, Samaritan fails to explain why the twist happens, undercutting all emotional weight it might have had. There are badly-placed exposition scenes to explain the rules of the fictional Granite City, who the major players in the movie are, and how superpowers work in this universe. Promising yet another gritty and dark take on the genre, Samaritan sadly fails to bring anything new to the table, turning an inventive concept into a generic superhero story. While Marvel still dominates the superhero market, every other studio still tries to get a piece of this very profitable cake by constantly releasing movies and series about superpowered people.

Latina actor Dascha Polanco says viewers will relate to the complexity of good versus evil in the new Amazon Prime movie "Samaritan" with Sylvester ...

And I’m proud to being able to have that opportunity,” she said. And the baton was passed on to me. And I’ll pass that on to my kids.” “Within the bad, within the good, you kind of find something that you relate to.” And my parents did their due diligence to bring me here,” she said, referring to her family’s migration from the Dominican Republic to the United States. When you get back up, that’s the hero within us,” she said.