We had over 200 finishers between our 10k race for seniors and Junior 5k race for those aged 19 and younger.
Our sponsors Butler’s Centra, Heffernan’s Shop, John Kelly, Cooper Fencing, and our main sponsor Coillte who were represented by Stephen Moore on the night. First home for the club was 5th Kevin Moore 32:45. Next we had 25th Dymphna Ryan 36:04 and had a fine race to take 2nd in the womens race. The 10k is 2 laps and the 5k was was 1 lap.
If you're not immediately scrambling every penny you can find, a moment to ponder on one of the coolest BMWs ever built. This is a 1973 BMW 2002 Targa offered ...
On top however, Baur chopped out the top part of the roof, and created an almost flat-bed style with the rear part of the roof stowed. There’s a single-carb 2.0-litre four-cylinder up front, sending 100bhp to the rear wheels via a four-speed manual. If you’re not immediately scrambling every penny you can find, a moment to ponder on one of the coolest BMWs ever built.
A dreamy woman in white painted by James McNeill Whistler is the center of a new show at the National Gallery of Art in Washington, D.C..
"Whistler got a big brush, got enough paint on it, and slams is down like a mosaic of colors. Although Joanna Hiffernan wrote a friend about some 19th century reactions to Whistler's Symphony No. 1, the centerpiece of the National Gallery's exhibition: "The White Girl has made a great sensation, for and against. The old duffers may refuse it altogether." "It isn't cold white." Letters and diaries show Joanna Hiffernan to have been great company, says MacDonald. "She was passionate, had a quick temper, was quite funny," she says. "So it had a warmth," MacDonald explains. Hiffernan ran his studio, kept track of the books, even raised a son Whistler had with another woman. "Oh yes! "Oh yes!" In Symphony in White No. 3, she's got company. Absolutely." Hiffernan lived with James Whistler "until Mother came, and she had to move out," MacDonald says.
A dreamy woman in white painted by James McNeill Whistler is the center of a new show at the National Gallery of Art in Washington, D.C..
"Whistler got a big brush, got enough paint on it, and slams is down like a mosaic of colors. Although Joanna Hiffernan wrote a friend about some 19th century reactions to Whistler's Symphony No. 1, the centerpiece of the National Gallery's exhibition: "The White Girl has made a great sensation, for and against. The old duffers may refuse it altogether." "It isn't cold white." Letters and diaries show Joanna Hiffernan to have been great company, says MacDonald. "She was passionate, had a quick temper, was quite funny," she says. "So it had a warmth," MacDonald explains. Hiffernan ran his studio, kept track of the books, even raised a son Whistler had with another woman. "Oh yes! "Oh yes!" In Symphony in White No. 3, she's got company. Absolutely." Hiffernan lived with James Whistler "until Mother came, and she had to move out," MacDonald says.
A dreamy woman in white painted by James McNeill Whistler is the center of a new show at the National Gallery of Art in Washington, D.C..
"Whistler got a big brush, got enough paint on it, and slams is down like a mosaic of colors. Although Joanna Hiffernan wrote a friend about some 19th century reactions to Whistler's Symphony No. 1, the centerpiece of the National Gallery's exhibition: "The White Girl has made a great sensation, for and against. The old duffers may refuse it altogether." "It isn't cold white." Letters and diaries show Joanna Hiffernan to have been great company, says MacDonald. "She was passionate, had a quick temper, was quite funny," she says. "So it had a warmth," MacDonald explains. Hiffernan ran his studio, kept track of the books, even raised a son Whistler had with another woman. "Oh yes! "Oh yes!" In Symphony in White No. 3, she's got company. Absolutely." Hiffernan lived with James Whistler "until Mother came, and she had to move out," MacDonald says.